When the responses elicited by the Epic of Evolution are gathered together several religious principles emerge that I can believe, serve as a framewo… - Ursula Wiltshire Goodenough

Scientific inquiry has provisioned us with a mind-boggling new core narrative — the epic of evolution, the epic of creation, the universe story, big history, everybody's story — where humans and human cultures are understood to be emergent from and, hence, a part of nature. Naturalists adopt this account as their core narrative, with full recognition that these understandings will certainly deepen and may shift with further scientific inquiry. They adopt the story currently on offer and do not simply select features of the story that support preferred theories of nature. … A religious naturalist is a naturalist who has adopted the epic as a core narrative and goes on to explore its religious potential, developing interpretive, spiritual and moral/ethical responses to the story. Importantly, these responses are not front-loaded into the story as they are in the traditions. Therefore, the religious naturalist engages in a process, both individually and in the company of fellow explorers, to discover and experience them. These explorations are informed and guided by the mindful understandings inherent in our human traditions, including art, literature, philosophy and the religions of the world.

The people who are truly bothered by God-concepts and find them stupid or ignorant or pathological are those like Richard Dawkins who just can't even imagine anybody having such concepts. That view is almost like homophobia — it's not open and pluralistic. I'm much more interested in helping people engage in this story of evolution. If they do that with theistic language, that's great.

The tapestry maker first strings the warp, long strong fibers anchored firmly to the loom, and then interweaves the weft, the patterns, the color, the art. The epic of evolution is our warp, destined to endure, commanding our universal gratitude and reverence and commitment. And then, after that, we are all free to be artists, to render in language and painting and song and dance our ultimate hopes and concerns and understandings of human nature. Throughout the ages, the weaving of our religious weft has been the province of our prophets and gurus and liturgists and poets. The texts and art and ritual that come to us from these revered ancestors include claims about Nature and Agency that are no longer plausible. They use a different warp. But for me at least, this is just one of those historical facts, something that can be absorbed, appreciated, and then put aside as I encounter the deep wisdom embedded in these traditions and the abundant opportunities that they offer to experience transcendence and clarity.