Usually no one sees the city of his birth until he leaves and then returns to it with new eyes, but, ridiculously proud of my brand-new press badge, … - Mary Eunice McCarthy

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Usually no one sees the city of his birth until he leaves and then returns to it with new eyes, but, ridiculously proud of my brand-new press badge, I was discovering San Francisco as though it were a strange city. I began to realize the city's many hills, as if they had been erected only last month. You go up and down those hills by cable car or auto, and a dozen times a day you catch your breath in the suddenness of beautiful vistas—water, ships, wooded hills across the bay . . . and sea gulls, no matter where the neighborhood, never once letting you forget the nearness of the ocean. They really dominated the Embarcadero, that long stretch of San Francisco's beautiful harbor. On one side were brine-encrusted piers, their pilings creaking against the sides of ships with exciting cargoes from all parts of the world. Across the way were shabby marine stores, pawnshops, tattoo parlors, bedraggled flophouses, and seedy bars. The constant calling of the sea gulls often had to compete with the sirens of police cars. <small>pp. 112–113</small>

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About Mary Eunice McCarthy

(March 4, 1899 – August 7, 1969) was an American screenwriter, playwright, journalist and author, perhaps best known today as the screenwriter of, and driving force behind, the biopic (1946).

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