The world is full of objects, more or less interesting; I do not wish to add any more. - Kenneth Goldsmith

If I thought I was only doing one thing — running — I would be naïve. Even in my leisure, when strapped to a web-enabled device, I’m furiously multitasking and, in a very positive way, highly distracted.

This is the subject of an art work by the Brooklyn-based artist Andrew Norman Wilson called ScanOps. The project began in 2007, when Wilson was contracted by a video-production company to work on the Google campus. He noted sharp divisions between the workers; one group, known as ScanOps, were sequestered in their own building. These were data-entry workers, the people to whom those mysterious hands belonged. Wilson became intrigued by them, and began filming them walking to and from their ten-hour shifts in silence. He was able to capture a few minutes of footage before Google security busted him. In a letter to his boss explaining his motives, Wilson remarked that most of the ScanOps workers were people of color. He wrote, “I’m interested in issues of class, race and labor, and so out of general curiosity, I wanted to ask these workers about their jobs.” In short order, he was fired.

Take the tech blog Boing Boing, for instance. They’re one of the most visible blogs on the web, but they create very little original content. Rather they act as a filter for the morass of information, pulling up the best stuff. The fact of Boing Boing linking to something far outweighs the thing they’re linking to. The culture of citation and name-checking on the web has resulted in a cascade of “re-” gestures: retweeting, reblogging, regramming, and reposting