I was a child, seven years old, when the 1932 massacre began. I carried it with me as a terrible wound. It wasn’t until years later that I decided to… - Claribel Alegría Vides

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I was a child, seven years old, when the 1932 massacre began. I carried it with me as a terrible wound. It wasn’t until years later that I decided to write Ashes of Izalcowith Bud in order to exercise myself from that time. Martinez won and he stayed in power until 1944 when our people ousted him. And then more dictators and more dictators until, we thought, This is it! We are going to be free. Look—we didn’t even win the revolution. Maybe I am stupid, because I am utopic, but I don’t think El Salvador will be the same even though our revolution didn’t win. The people aren’t going to be the same anymore. Something has happened. When I was writing Don’t Take Me Alive I interviewed many peasant women who told me they were never going to be as they were before. Now they know how to read and write, they know they are not inferior to men, they have done beautiful things right there with the guerrillas. It’s a step forward, and will help the other generations. I don’t think everything is lost. I don’t think El Salvador and Nicaragua are going to be what they were 20 years or 30 years ago.

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About Claribel Alegría Vides

Clara Isabel Alegría Vides (May 12, 1924 – January 25, 2018), also known by her pseudonym Claribel Alegría, was a Nicaraguan-Salvadoran poet, essayist, novelist, and journalist who was a major voice in the literature of contemporary Central America. She was awarded the 2006 Neustadt International Prize for Literature.

Also Known As

Native Name: Claribel Alegría
Alternative Names: Claribel Alegria
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I hope we go back into our Indian roots in the next century, bring them to the surface, study them. There is only an elite that knows of the great richness and wisdom in the Popol Vuh (The Book of the Dawn of Life), we are going to get as much from this as we do from our Spanish heritage.

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The poet celebrates humankind, the universe, and the creator of the universe. It is impossible for one to remain indifferent to the turbulence that our planet and its inhabitants suffer through: war, hunger, earthquakes, misery, racism, violence, xenophobia, deforestation, AIDS, and childhood affliction, among others. In the region from which I come, Central America, we love poetry, and at times we use it to denounce what is happening around us. There are many fine testimonial poems. The poet, especially where I’m from, cannot and should not remain in an ivory tower.

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