Would that all excellent books were foundlings, without father or mother, that so it might be, we could glorify them, without including their ostensible authors. Nor would any true man take exception to this; — least of all, he who writes, — "When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality."

The climbing soul, leaving all that she has grasped already as too narrow for her needs, will thus grasp the idea of that magnificence which is exalted far above the heavens. But how can any one reach to this, whose ambitions creep below? ... He therefore who keeps away from all bitterness and all the noisome effluvia of the flesh, and raises himself on the aforesaid wings above all low earthly ambitions, or, more than that, above the whole universe itself, will be the man to find that which is alone worth loving, and to become himself as beautiful as the Beauty which he has touched and entered.

His own power and magic — overwhelmed him for a moment with a feeling of the purest, highest, and most glorious happiness that life can yield — the happiness that is at once the most selfish and the most selfless — the happiness of the artist when he sees that his work has been found good, has for itself a place of honour, glory, and proud esteem in the hearts of men, and has wrought upon their lives the spell of its enchantment. At that instant he saw, in one blaze of light, an image of unutterable conviction, the reason why the artist works and lives and has his being — the reward he seeks — the only reward he really cares about, without which there is nothing. It is to snare the spirits of mankind in nets of magic, to make his life prevail through his creation, to wreak the vision of his life, the rude and painful substance of his own experience, into the congruence of blazing and enchanted images that are themselves the core of life, the essential pattern whence all other things proceed, the kernel of eternity.

I say that the true artist-seer, the heavenly fool who can and does produce beauty, is mainly dazzled to death by his own scruples, the blinding shapes and colors of his own sacred human conscience.

The blacksmith, by main force, unclosed the infant's hand, and found within the palm a small heap of glittering fragments, whence the mystery of beauty had fled forever. ...Owen Warland ...looked placidly at what seemed the ruin of his life's labor, and which was yet no ruin. He had caught a far other butterfly than this. When the artist rose high enough to achieve the beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes while his spirit possessed itself in the enjoyment of the reality.

An artist is only an artist thanks to his exquisite sense of beauty — a sense which provides him with intoxicating delights, but at the same time implying and including a sense, equally exquisite, of all deformity and disproportion.

The Artist is a tiny reflection of the One Creative Spirit that generates and is all realities. God creates the cosmos with love. God is the creator of the unfinished masterpiece, "Time/Space Continuum," which each of us helps co-create. The artist faces the blank canvas and invents new realities, and in a very tiny microcosmic way this reflects the macrocosm. The highest art aligns us with the "Divine Imagination," as Blake called it, and empowers our Soul, catalyzing our path to becoming the greatest person we can be.