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" "No one, not a soul, intimidating stillness. Uncannily, though, in the midst of all this, a fire is blazing, lit, in fact,with petrol. It's flickering, a ghostly fire, wind. On the orange-coloured plain below I can see sheets of rain, and the annunciation of the end of the world is glowing on the horizon, glimmering there. A train races through the land and penetrates the mountain range. Its wheels are glowing. One car erupts in flames. The train stops, men try to extinguish it, but the car can no longer be extinguished. They decide to move on, to hasten, to race. The train moves, it moves into fathomless space, unwavering. In the pitch-blackness of the universe the wheels are glowing, the lone car is glowing, Unimaginable stellar catastrophes take place, entire worlds collapse into a single point. Light can no longer escape, even the profoundest blackness would seem like light and the silence would seem like thunder. The universe is filled with Nothing, it is the Yawning Black Void. Systems of Milky Ways have condensed into Un-stars. Utter blissfulness is spreading, and out of utter blissfulness now springs the Absurdity. This is the situation.
Werner Herzog (born Werner Stipetic on 5 September 1942) is a German screenwriter, film director, actor and opera director.
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And yet, in my childhood, there was nothing to indicate anything exceptional except possibly in the negative. I was quiet, reserved, inclined to sudden outbursts of temper; in general, I was a danger to those around me. I was capable of silent brooding, for instance, because I wanted to understand why six times five came to the same thing as five times six. It even seemed to be a general principle, so eleven by fourteen was the same as fourteen by eleven. Why? There was a law hidden in the numbers that I could not wrap my head around until I pictured a rectangle with rows of six pieces by five spread out in front of me, and if you turned the shape by ninety degrees, then the principle became visible.
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