They thought man was a creature of rapacious self-interest, and yet they wanted him to be free- free, in essence, to contend, to engage in an umpired… - Richard Hofstadter

While early American society was an agrarian society, it was fast becoming more commercial, and commercial goals made their way among its agricultural classes almost as rapidly as elsewhere. The more commercial society became, however, the more reason it found to cling in imagination to the noncommercial agrarian values. The more farming as a self-sufficient way of life was abandoned for farming as a business, the more merit men found in what was being left behind. And the more rapidly the farmers' sons moved into the towns, the more nostalgic the whole culture became about its rural past. The American mind was raised upon a sentimental attachment to rural living and upon a series of notions about rural people and rural life that I have chosen to designate as the agrarian myth. The agrarian myth represents a kind of homage that Americans have paid to the fancied innocence of their origins.
Like any complex of ideas, the agrarian myth cannot be defined in a phrase, but its component themes form a clear pattern. Its hero was the yeoman farmer, its central conception the notion that he is the ideal man and the ideal citizen.

they found it easier to reject what they could not have than to admit the lack of it as a deficiency in themselves.

Along with this came another New Deal phenomenon, a kind of pervasive tenderness for the underdog, for the Okies, the sharecroppers, the characters of John Steinbeck’s novels, the subjects who posed for the FSA photographers, for what were called, until a revulsion set in, “the little people.”