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"Shut up, you wretch! I rescued you from the city streets. Without me you'd still be fucking bouncing into buildings out there in the laser neon rain with the tabloids poltergeisting through the air, wondering where the fuck you are, you clueless dolt! I took you in for the waif you were, rescued you from every doorway which was a waiting set of jaws—every half-closed window, a pirate's eye—I took you in and rescued you from your own stupidity! If you had a shred of moral decency, you'd chain yourself to the radiator and devote the rest of your life to acts of sexual abasement!" But you don't say that. You say "Yes, I see what you mean, I see where you're coming from".
Dylan Moran (born November 3, 1971, in Navan, County Meath, Ireland) is an Irish comedian, actor, and writer, best known for his work in Black Books.
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I don't want to make any huge generalisations about women, I'm not here to do that, it's — it's vulgar. But all I'll say is that they have no feelings. Because it's actually men, you'll find, who are the far more romantic. Men are the people you will hear say, "I've found somebody. She's amazing. If I don't get to be with this person, I'm fucked. I can't carry on, no, I mean it, she's totally transformed my life. I have a job, I have a flat, it means nothing. I can't stand it, I have to be with her. Because if I don't, I'm going to end up in some bedsit, I'll be alcoholic, I'll have itchy trousers. I can't — I can't walk the streets any more." That is how women feel about shoes.
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There are two types of wine essentially, and everybody knows this. There’s the one where you drink it and go, "Mmmm, well that’s ok, can we get 8 of those please, give us 8 of those." There’s the other one, you know, where you go "Ga…bt…jesus, WHAT is that?" Very, very occasionally I concede you will hit a subtle one. You know, where you go "Ga…ba…ah, actually that’s not that bad, that is. It’s quite nice."