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"Would you like to go to New Zealand to do a commercial?" That's the sort of question an actor likes to hear from his agent in freezing mid -January.

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I came here to act in local series in Zambia by Mingeli Palata. As I was waiting to go on location, I heard that Muvi TV was conducting auditions for actors and I decided to give it a try.

Yes, I know rejection is a big part of our jobs as actors but after Is’thunzi, I had high expectations. I later went to America and met my agent who built my confidence and self-esteem up again

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If you want to develop character, go to Australia.

In the past, making a living off performing arts in Kenya was hard but now many actors do

As an actor, you can't be off the market for too long.

I like to try new things. I like to go new places and I like to work with new people. That’s sort of the definition of my job. As an actor, you just go where the work is, right.

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Men are now beginning their careers as directors by working on commercials — which, if one cares to speculate on it, may be almost a one-sentence résumé of the future of American motion pictures.

You know when you’re starting out as an actor it’s like “just give me a job, as long as I can keep my clothes on I’m happy!”.

I have been looking for international roles for the last year. I have been constantly auditioning and sent, like, a million tapes. I went overseas to meet directors. So I have been working. You realise that some roles are not made for you and you move to the next thing. It is not about international recognition. I just want to have fun with my roles. Personally, I just want to act

There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.

Coming back doing interviews is weird. It’s like an actor who takes a year off and just goes home, settles down, does some gardening, wakes up in the morning, worries about what to have for breakfast, then suddenly you’re plonked back in the middle of it all.

Sian Lloyd – what was she doing there? Why did you cast and pay for a kind of celebrity for your advert? You know, I could understand if your advert was based on weather, I could understand if your advert was based on her being upset because her boyfriend blew her out for a cheeky girl, right and she's crying, but I can't understand this. She's not even a mother, what's the point? (Episode 9).

I think it’s a real danger, as an actor, when you try to make some statement through your career about what the business should be doing or ultimately what your image should be or how you want to be perceived. I look at every project that comes along and say, “Is this something I can sink my teeth into and can do a good job on?” That’s really how I choose roles.

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