If you ask the great city, ‘Who is this person?,’ she will answer, ‘He is my child. - Victor Hugo

It so happens that this is particular love was precisely the sort best suited to the state of her soul. It was a sort of remote worship, a mute contemplation, a deification by an unknown votary. It was the apprehension of adolescence by adolescence, her dreams becoming romance ad remain in dream, the wished-for phantom realized at last and made flash, but still without name or wrong or fault, or need, or defect; in a word, a lover distant and ideal, a chimera having form. Any closer and more palpable encounter at this first stage would have terrified Cosette, still half buried in the magnifying mirage of the cloister. She had all the terrors of children and all the terrors of nuns mingled. The spirit of the convent, in which she had been steeped for five years, was still evaporating from her whole person, and made everything tremulous around her. In this condition, it was not a lover she needed, it was not even an admirer, it was a vision. She began to adore Marius as something charming, luminous, and impossible.

كثرة الايضاح تفسد روعة الفن

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.