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" "It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that. That's why I like Cezanne so much. Matisse said, you have to read between the lines. When he would stop a line, say, at the ear, and beginning it again at the neck, he was really exercising the viewer's mind to fill in the blanks [parts].
Milton Ernest "Robert" Rauschenberg (January 22, 1925 – May 12, 2008) was an American artist who came to prominence in the 1950's. His work is regarded as a transition from Abstract Expressionism to the media-saturated surfaces of Pop art, together with the art of Jasper Johns; both lived and worked for years in the same studio in New York and discussed their art frequently; they were deeply influenced by the ideas of John Cage and involved with choreograph Merce Cunningham.
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Outside the big idea that there is art I don't think of other's paintings. But I defend the idea of art and know that it is made up of all these paintings. Classic pictures are objects that may or may not influence what you're doing, just like anything else. Like the radio.. .But it hasn't anything to do with your own art or the artist's intention.
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One gets as much information as a witness of activity from a fleeting glance [in the photo], like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary your mind wanders, and it's that kind of activity that I would like to get into the photograph – a confirmation of the fact that everything is moving.