Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This ma… - Antoni Tàpies

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Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The 'subject-matter' then may be found in the picture or it may exist solely inside the spectator's head.

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About Antoni Tàpies

Antoni Tàpies (13 December 1923 – 6 February 2012) was a Spanish Catalan artist, born in Barcelona, who from 1947 on, started to paint in a surrealistic style. Through 'Arte Povare', under the influence of Eastern calligraphy among other things, he soon developed a spontaneous Abstract Expressionism with its own symbolic language.

Also Known As

Native Name: Antoni Tàpies i Puig
Alternative Names: Antonio Tapies O Tapies Antonio Tapies Puig Antoni Tapies Antoni Tàpies Puig Tapies Antoni Tapies i Puig Antoni Tapies Puig
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Additional quotes by Antoni Tàpies

Towards the end of 1958, I greatly increased.. ..the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time.. .In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.. ..dirty clothes (socks, T-shirt, underpants...), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.

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