The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost every detail the body is n… - Kenneth Clark

In the early twelfth century century the Virgin had been the supreme protectress of civilisation. She had taught a race of tough and ruthless barbarians the virtues of tenderness and compassion. The great cathedrals of the Middle Ages were her dwelling places upon earth. In the Renaissance, while remaining the Queen of Heaven, she became also the human mother in whom everyone could recognise qualities of warmth and love and approachability...
The stabilising, comprehensive religions of the world, the religions which penetrate to every part of a man's being — in Egypt, India or China — gave the female principle of creation at least as much importance as the male, and wouldn't have taken seriously a philosophy that failed to include them both...It's a curious fact that the
all-male religions have produced no religious imagery — in most cases have positively forbidden it. The great religious art of the world is deeply involved with the female principle.

Look at this charming donkey!

Great works of art can be produced in barbarous societies — in fact the very narrowness of primitive society gives their ornamental art a peculiar concentration and vitality. At some time in the ninth century one could have looked down the Seine and seen the prow of a Viking ship coming up the river. Looked at today in the British Museum, it is a powerful work of art; but to the mother of a family trying to settle down in her little hut, it would have seemed less agreeable — as menacing to her civilisation as the periscope of a nuclear submarine.