I have had a long talk with Renoir. He admitted that the whole crowd – Durand and his former admirers – were shouting at him, deploring his attempt t… - Camille Pissarro

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I have had a long talk with Renoir. He admitted that the whole crowd – Durand and his former admirers – were shouting at him, deploring his attempt to abandon his 'Romantic' period. He seems very sensitive to what we think of his exhibition. I told him that as far as we were concerned, the search for unity should be the aim of every intelligent artist. – that even in spite of serious faults, it was more intelligent and artistic than wallowing in romanticism.

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About Camille Pissarro

Jacob Abraham Camille Pissarro (10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist landscape-painter with important contributions to both Impressionism and Post-Impressionism.

Also Known As

Alternative Names: Pissarro Camille Jacob Pissaro Jacob-Abraham-Camille Pissarro Camille-Abraham-Jacob Pissarro C. Pissarro Pissaro Camille Pissaro C. Pissaro Camillo Pissarro Camille Jacob Pissarro Jacob Abraham Camille Pissarro

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My theory has been to discover the modern synthesis by methods based upon science, methods based upon the theory of colors discovered by M. Chevreul, in conformity with the experiments of Maxwell and the measurements of N. 0. Rood; to substitute the optical mingling for the mingling of pigments; in other words, the decomposition of all the colors into their constituent elements; because the optical mingling excites much more intense luminosity than the mingling of pigments. As for the execution, we regard it as nothing; it is at any rate only unimportant, art having nothing to do with it. According to us, the sole originality consists in the character of the drawing and the vision individual to each artist.

The weather is superb except for a very keen wind which causes me to lose much time. - I am doing a portrait of your mother in pastel, it seems it is not adequate as a likeness, it is too old, too red, not fine enough, in short, it won't do. This surprises me not at all. You know that everyone accepts the one I made pretty obvious, but that is not much good either.

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Decidedly, we are at cross-purposes. What's all this you tell [from England] about the modern movement, commercialism, etc, etc? It bears no relation to our concept of art, at any rate here.. .That is where the error lies. Trade serves those up to us as readily as anything else; so it is no use. Wouldn't it be better to steep ourselves in genuine nature again? I do not consider in the least that we are making a mistake, that we should turn to the steam-engine and follow the general public [ William Morris, the more traditional artist became very popular those days].. .No, a thousand times no! We are here to point the way.. ..the remedy is to be found in nature, more than ever. Let us follow what we consider to be the proper aim, we shall see who is right. After all, money is a fragile thing; let us earn some of it, since we must, but let us keep to our role.

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