The only difference between image and idea is thus that in the one case, the expression of the object is confused, and in the other, it is clear. The… - Jean-Paul Sartre

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The only difference between image and idea is thus that in the one case, the expression of the object is confused, and in the other, it is clear. The confusion comes from this: every movement envelops in itself the infinity of the movements of the universe; and the brain receives an infinity of modifications to which only a confused thought can correspond, enveloping the infinity of clear ideas that would correspond to each detail. Clear ideas are therefore contained in the confused ideas. They are unconscious; they are perceived without being apperceived. Only their sum total is apperceived; this appears simple to us because of our ignorance of its components.

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About Jean-Paul Sartre

Jean-Paul Charles Aymard Sartre (21 June 1905 – 15 April 1980), normally known simply as Jean-Paul Sartre, was a French existentialist philosopher, dramatist and screenwriter, novelist, and critic. He had an enduring personal relationship with fellow philosopher Simone de Beauvoir.

Biography information from Wikiquote

Also Known As

Pen Names: Jacques Guillemin
Alternative Names: Jean-Paul Charles Aymard Sartre Jean Paul Sartre J.P. Sartre J.-P. Sartre Sartre

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Additional quotes by Jean-Paul Sartre

Let it crumble! Let the rocks revile me and flowers wilt at my coming. Your whole universe is not enough to prove me wrong. You are the king of gods, king of stones and stars, king of the waves of the sea. But you are not the king of man.

"But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn eveningin 1922." And in reality you have started at the end. It was there, invisible and present, it is the one which gives to words the pomp and value of a beginning... And the story goes on in reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: "It was night, the street was deserted." The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice.
I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail."

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گوتز: تۆ جوانی و جوانی دیاری شەیتانە.
هیلدا: دڵنیای؟
گوتز: من ئیتر لە هیچ شتێک دڵنیا نیم. ئەگەر حەز و هەوەسەکانم ڕازی بکەم، تووشی گوناح دەبم بەڵام خۆم لە چنگیان دەرباز دەکەم؛ ئەگەر نەمهەوێت ڕازییان بکەم، دەمێننەوە و ڕۆحم گەنیو دەکەن. شەو نزیک دەبێتەوە؛ لە کەش و هەوای بوولێڵدا دەبێ چاوگەلێکی زیتەڵە و وردبینت بێت تا بتوانی خودا لە شەیتان جیا بکەیتەوە.

- لەژێر چاوی خودادا لەگەڵت بنووم؟
نە من حەز بە نزیکیکردنی بەکۆمەڵ ناکەم. ئەگەر لە شوێنێک، شەوێکی تاریک و نووتەکمان پێ شکهات کە بتوانین خۆمان لە چاوی ئەو (خودا) بشارینەوە... جا...
هیلدا: عەشق هەر ئەم شەوە تاری و نووتەکەیە. ئەو مرۆڤانەی کە یەکتریان خۆش دەوێ، خودا ئەوان نابینێت!

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