To sum up, Oldenberg’s principles do not affect my analysis at all. His principles are undoubtedly important, but not in demarcating “original” hymns… - Shrikant G. Talageri

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To sum up, Oldenberg’s principles do not affect my analysis at all. His principles are undoubtedly important, but not in demarcating “original” hymns from “interpolated” ones: as we saw, hymn 6.45, which is a late “interpolated” hymn as per (Witzel’s interpretation of) Oldenberg’s principles, proves to be linguistically very archaic, and hymns 6.3,24,25,28, which are similarly “original” hymns, abound in late words. Oldenberg’s (or rather, Witzel’s) numer(olog)ical division therefore cuts across another division which could be established on the basis of linguistic analysis. And both these divisions become irrelevant when the data in these hymns is examined from a historico-geographical point of view, since all the hymns in any given Mandala are historically and geographically homogenous. .... Therefore, neither Oldenberg’s numerical principles, nor linguistic strata discernible in the hymns, can negate the fact that the RV we have today is, for all practical purposes, the “original” RV, and my historical analysis is an “invincible” analysis of the emphatically right Rigveda text.

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About Shrikant G. Talageri

Shrikant Talageri, born in 1958, was educated in Mumbai where he lives and works. He has devoted several years, and much to study, to the theory of an Aryan invasion of India, and interpreted the Vedas with the help of the internal chronology of Rig vedic Rishes within Rig Veda with the help of genealogical records Anukramanis.

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In sharp contrast to these intimate references to typically Indian animals are the references to an animal which is restricted to the extreme northwest: the bactrian camel of Afghanistan and beyond. This camel, uSTra, is referred to only in the following verses: ... The distribution of these references is restricted only to hymns belonging to the Late Period.

That is, none of the Rishi ascriptions (either for an allegedly “original” hymn or an allegedly “interpolated” hymn) shows a contrary order: i.e. if Mandala A has a hymn ascribed to an ancestor of a Rishi composer from Mandala B, we do not find another case where Mandala B has a hymn ascribed to an ancestor of a Rishi composer from Mandala B. And the references within the hymns follow suit: no hymn from Mandala A refers to a Rishi composer from Mandala B (for example, the three Early Mandalas do not contain a single reference to a Rishi composer from the Middle or Late Mandalas, the Bhrgu hymns being a special case apart).

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