The so-called 'discoveries' of the Impressionists could not have been unknown to the old masters; and if they made no use of them, it was because all… - Pierre-Auguste Renoir

Landscapes are useful to a figure painter, too; out-of-doors one uses colours one would never think of in the weaker studio light. But landscape painting is a thankless job; you waste half a day for the sake of one hour's painting. You only finish one painting out of ten, because the weather keeps changing. You start work on a sunlight effect and it comes on to rain – or you had a few clouds in the sky, and the wind blows them away. It's always the same story!

You know how I feel painting a skin which won't take the light well. And on top of that, it was fashionable at the time for women to be pale, so Madame de Bonnieres was as pale as wax, you may be sure. I kept saying to myself 'If only she could get a good steak inside her, just once!'.. ..and her hands! She put them in water before the sitting, to accentuate their whiteness.. .Just imagine! I come across one of the most charming women it is possible to meet, and she doesn't want to have any colour in her cheeks!

How wonderful the Doges' palace is! That pink and white marble must have been a bit cold at first, but it was magical for me, seeing it gilded by several centuries of sunlight! And the basilica of San Marco! That was what converted me from those cold Italian Renaissance churches.. ..as soon as one goes into San Marco one feels one is in a real place of worship – that gentle filtered light and those magnificent mosaics and the great Byzantine Christ with the grey aureole! If one hasn't been in San Marco it is impossible to imagine the beauty of heavy pillars and columns without any moulding!