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" "I think they've always been obsessed with re-election, and they wanted to win the war, they wanted to win a victory, they wanted Ukraine to somehow magically win. There might be some people who think that maybe it's better for our economy if the German economy is weak, but that's crazy.
Seymour Myron "Sy" Hersh (born April 8, 1937) is an American investigative journalist and political writer. He first gained recognition in 1969 for exposing the My Lai Massacre and its cover-up during the Vietnam War, for which he received the 1970 Pulitzer Prize for International Reporting. In the 1970s, Hersh covered the Watergate scandal for The New York Times, and in 2004, he reported on the U.S. military's torture and abuse of prisoners at Abu Ghraib in Iraq for The New Yorker. Hersh has won five George Polk Awards and two National Magazine Awards. He is the author of 11 books, including The Price of Power: Kissinger in the Nixon White House (1983), a biography of Henry Kissinger that won the National Book Critics Circle Award. In 2013, Hersh disputed the claim that Bashar al-Assad's government used chemical weapons on civilians at Ghouta during the Syrian Civil War, and in 2015, he reported that the U.S. had lied about the events around the killing of Osama bin Laden, both times attracting controversy and criticism from other reporters. In 2023, he reported that the U.S. had sabotaged the Nord Stream gas pipeline between Russia and Germany, again stirring controversy.
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The normal planning procedures have been marginalized, according to many military and intelligence officials. These usually include a series of careful preliminary studies under the control of the National Security Council and the Joint Chiefs of Staff. But now there is far less involvement by the Joint Chiefs and their chairman....
I've been a freelancer since 1979. There’s something good about it, because I can pick what I want to do, within limits, assuming I can turn in enough good stories and my ideas are good enough. I’m not at the mercy of an editor. When I did it, you could do long-form reporting as a freelancer. Once I began to get connected with The New Yorker, everybody assumed I was working for it, but I was always on contract. I wanted to be. I could have changed it, but then I would have had the editors have control over me, so I didn’t want that. On the other hand, they still had control over me, because I would do an assignment. They were the editor and they paid the bills. I don’t know if I was being silly or not, but whatever happened, it turned out that it was all fine. Serendipity, I guess.
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