I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane… - Alexander Rodchenko
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I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.
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About
Alexander Rodchenko
Aleksander Mikhailovich Rodchenko (5 December 1891 – 3 December, 1956 was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of Constructivism and Russian design; he was married to the artist Varvara Stepanova.
Also Known As
Native Name:
Александр Михайлович Родченкo
Alternative Names:
Aleksandr Mikhailovich Rodchenko
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Aleksandr Rodchenko
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Alexandr Rodchenko
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Aleksandr Mikhaylovich Rodčenko
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Alexander Rodčenko
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Alexander Michajlowitsch Rodschenko
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Alexander Michailowitsch Rodtschenko
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Aleksandr. Rodčenko
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Alexander Rotchenko
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Alexandr Rodcenko
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Aleksandr Mihailov, Aleksandr Mihailovic Rodcenko
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Alexandre Rodtchenko
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Alexandre Mihailovitch Rodchenko
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Aleksandr Mihailov Rodcenko Aleksandr Mihailovic
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Aleksandr Rodtšenko
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Aleksandr Mihailovič Rodčenko
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Alexander Rodtchenko
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Alexsandre Rodtchenko
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Aleksandr Rodtsenko
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Alexandr Rodčenko
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Aleksandr Rodtchenko
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Aleksandr. Rodtchenko
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Aleksandr Mikhaĭlovich Rodchenko
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Aleksandr Rodtjenko
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Aleksandr. Rodchenko
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Aleksandr Rodcenko
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Alexander Michajlowitsch Rodtschenko
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Alexander Mikhaylovich Rodchenko
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Aleksandr Rodčenko
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Aleksandr Mikhaylovich Rodtchenko
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Aleksandr Mikhaylovich Rodchenko
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Alexander Mikhailovich Rodchenko
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A. M. Rodchenko
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Aleksandr Michajlovic Rodcenko
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Alexander Michailowitsch Rodschenko
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Alexander Mikhaïlovitch Rodtchenko
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Aleksander Mikhailovich Rodchenko
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A.M. Rodchenko
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Additional quotes by Alexander Rodchenko
[my goal is] to photograph not a factory but the work itself from the most effective point of view.. ..in order to show the grandness of a machine, one should photograph not all of it but give a series of snapshots.
One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again.