At lucky moments this emanation could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking, he could fina… - Antoni Tàpies

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At lucky moments this emanation could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking, he could finally be taken to those areas which also had moved me so deeply and made me think I should draw the attention of others to it. [quote from 1988]

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About Antoni Tàpies

Antoni Tàpies (13 December 1923 – 6 February 2012) was a Spanish Catalan artist, born in Barcelona, who from 1947 on, started to paint in a surrealistic style. Through 'Arte Povare', under the influence of Eastern calligraphy among other things, he soon developed a spontaneous Abstract Expressionism with its own symbolic language.

Also Known As

Native Name: Antoni Tàpies i Puig
Alternative Names: Antonio Tapies O Tapies Antonio Tapies Puig Antoni Tapies Antoni Tàpies Puig Tapies Antoni Tapies i Puig Antoni Tapies Puig
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Additional quotes by Antoni Tàpies

One day I attempted to reach silence directly, with greater resignation, surrendering to the fate that governs any profound struggle. My millions of furious clawings became millions of grains of dust, of sand.. .A new geo-graphy lit my way, carrying me from surprise to surprise: suggestions of unusual combinations and molecular structures, of atomic phenomena, of the world of galaxies or of images in a microscope. The symbolism of dust — 'to be one with dust, here lies the profound identity, that is, the inner profundity between man and nature' (Tao Te Ching) —, of ashes, of the earth from whence we come and to which we return, of the solidarity born when we realise that the differences among ourselves are like those between one grain of sand and the next..

In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context, is by far the most radical – in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.

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Starting with approaching the spot where the painting is to be done, meanwhile realising the emptiness of the mind, up to the method of 'the flying white', of the rule of the singular stroke of the brush.. ..there is a proper tradition in which the artist is fully aware of the fact that only the pure and empty spontaneity enables him to embrace without hesitating all apparitions and to truly penetrate into the roots of things.

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