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" "I have always been terrified by the idea that my photographs would be “just” beautiful. Beauty is often seen as lacking in substance. Over time, I have become confident in my ability to apprehend situations that are defined by a kind of complicated beauty, when you are pulled in by the beauty but also pushed back by something problematic.
An-My Lê (born 1960) is a Vietnamese-American photographer and professor at Bard College.
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The topic of the military raises questions in ways that other topics would not. There are photographers who have dealt with extreme poverty, or who have photographed horrific labor conditions, and they are not held accountable in the same way. They aren’t asked: what do you think of poverty? But the question of the military is so complicated that it riles up people’s opinions.
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I feel that the early part of my life was dictated by American foreign policy. This idea of human lives being caught in a much larger web of uncontrollable events was impressed upon me so the notion of scale have always been important to me. My interest in human endeavor or culture within the larger context, within the landscape has been a continuing foundation for my work.