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" "It boils down to this. If a man, any man, claims to have had an experience which is outside all normal experience, it will be inferred, will it not, that he is in some way not quite a normal man? A small cloud, a mere wrack, of doubt and risk begins to gather above him. It is tenuous, too insubstantial for him to disperse, yet it casts a faint, persistent shadow. There is, I imagine, no such thing as a normal human being, but there is a widespread feeling that there ought to be. Any organisation has a conception of 'the type of man we want here' which is regarded as the normal for its purposes. So every man there attempts more or less to accord to it - organisational man, in fact - and anyone who diverges more than slightly from the type in either his public, or in his private life does so to the peril of his career.
(/ˈwɪndəm/; 10 July 1903 – 11 March 1969) was an English science fiction writer best known for his works published under the pen name John Wyndham, although he also used other combinations of his names, such as John Beynon and Lucas Parkes. Some of his works were set in post-apocalyptic landscapes. His best known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957), the latter filmed twice as Village of the Damned.
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What did I tell you?" said my neighbour excitedly. "Force of mind, that's what those people use; that's why their hands are vestigial. Pure will-power." The dwarf seemed to hear him, for he looked towards us. "I am surprised," he sneered, "that you even know of such a thing as will-power. I judged by your reflexes that you had only instincts.
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