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In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed t… - James Berardinelli
" "In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry & June, whose financial failure was widely blamed on the new rating. After that, all potentially-lucrative films receiving an NC-17 made the cuts required by the MPAA to earn an R. Now, in 1995, there's Showgirls, the most significant test of the NC-17's commercial viability to date. Helmed by Paul Verhoeven (Total Recall, Basic Instinct) and written by Joe Eszterhas (Jagged Edge, Basic Instinct), this movie is going into wide release with the adult rating. Too bad it's one of the worst films of the year.
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About James Berardinelli
James Berardinelli (born September 25, 1967) is an American online film critic.
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Additional quotes by James Berardinelli
Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.
On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.
Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film … What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo.
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