Kids are the ones who create; I find it really great to have my inner child still alive. - Rosa Montero

The relationship between the human being and the flesh has always been a matter of huge conflict. Since the beginning of time every religion has tried to take control of our selves, usually from a repressive point of view, most often than not inhibiting the body as well. Other times, on the other hand, as in certain eastern liturgies, empowering the body and doing away with the ego. But living inside this body never ceases to be a conflict. We are cultural beings and that clashes with our animal instincts. That’s where the title [La Carne] comes from...In the first place, the flesh is what traps us, because no one has ever chosen his or her body to live in, has he? You are what you are and you didn’t get to choose it. It’s the flesh that traps us in the first place, the flesh that makes us sick, that makes us old and that eventually ends up killing us. But at the same time, it’s that glorious flesh that enables us to scratch heaven through sensuality, through sex, through passion. Paradoxically, the flesh that kills us will also make us feel eternal for a brief moment because that’s what we are in passion, eternal—we abandon ourselves, we merge, we give ourselves to the other, so much that when we are loving passionately, death doesn’t exist.

I have the feeling . . . no, the conviction, the certainness that reality and fiction are really mixed up. The frontier between reality and fiction is tremendously porous and slippery.

At any given time, if you live long enough, old age catches you...the only choices we have in life are either the impairment of old age or early death.