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" "When does a session of The Theatre of the Oppressed end? Never — since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life.
Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian author, playwright and director who served one term as city councillor in Rio de Janeiro from 1993 to 1997. He is most well known as the founder of Theatre of the Oppressed, a dramatic form of popular education, now used by social movements in more than 70 countries.
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Biographies smack of the end, the final utterances. Mission accomplished. I, by contrast, am always at the start of some new path or other. I want more. More, more. I am given to excess. It would be awkward to talk about myself: in what I do, the important thing is the deed, not the doer. When all is said and done, who am I? What use am I?
Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity. The self-knowledge thus acquired allows him to be the subject (the one who observes) of another subject (the one who acts). It allows him to imagine variations of his action, to study alternatives. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.