Everyone engaged in creative work is subject to persecution by the odious comparison. Odious comparisons dog the footsteps of all creation wherever t… - Frank Lloyd Wright

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Everyone engaged in creative work is subject to persecution by the odious comparison. Odious comparisons dog the footsteps of all creation wherever the poetic principle is involved because the inferior mind learns only by comparisons; comparisons, usually equivocal, made by selfish interests each for the other. But the superior mind learns by analyses: the study of Nature.

English
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About Frank Lloyd Wright

Frank Lloyd Wright (8 June 1867 – 9 April 1959) was an American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, with a philosophy he called organic architecture.

Biography information from Wikiquote

Also Known As

Birth Name: Franklin Lincoln Wright
Alternative Names: Frank Lincoln Wright F. L. Wright Frank Lloyd Lincoln Wright Frank Lloid Rait Frank Luyd Rayt Lloyd Wright Frank FLW
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Additional quotes by Frank Lloyd Wright

There is release from anguish in action.

This drift toward quantity instead of quality is largely distortion. Conformity is always too convenient? Quality means individuality, is therefore difficult. But unless we go deeper now, quantity at expense to quality will be our national tragedy—the rise of mediocrity into high places.

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Can it be that the ultimate chapter of this new era of democratic freedom is going to be deformed by this growing drift toward conformity encouraged by politics and sentimental education? If so then by what name shall our national American character be justly called? Doomed to beget only curiosities or monstrosities in art, architecture and religion by artists predominant chiefly by compliance with commercial expediency?
Machine standardization is apparently growing to mean little that is inspiring to the human spirit. We see the American workman himself becoming the prey of gangsterism made official. Everything as now professionalized, in time dies spiritually. Must the innate beauty of American life succumb or be destroyed? Can we save truth as beauty and beauty as truth in our country only if truth becomes the chief concern of our serious citizens and their artists, architects and men of religion, independent of established authority?

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