The reader is struck by Witzel’s repeated disparaging remarks against the Puranas and their utility in the derivation of Indian history. Scholars who… - Shrikant G. Talageri

All this can mean one of only two things: either the Anukramani ascriptions are genuine; or else they have been concocted with incredible efficiency and coordination: this would involve great skill not only in concocting ascriptions for new hymns, to make them fit into the pattern, but also in changing older Anukramani ascriptions where a descendant of a Rishi composer from a later (as per my chronology) Mandala figured as a composer in an earlier (as per my chronology) Mandala, and in extrapolating references from within the hymns of an earlier (as per my chronology) Mandala which referred to a Rishi composer from a later (as per my chronology) Mandala!

Witzel’s attitude towards this evidence is typical of the generally cavalier attitude of Western scholars towards inconvenient evidence in the matter of Indo-European origins: he notes that the evidence is negative, finds it “surprising” that it should be so, makes an offhand effort to explain it away, and then moves on.

“What you require is not old interpolation-theories, but a new EXTRAPOLATION theory to explain just why those Mandalas which I have designated as Early contain no references to western rivers, places and animals; to later technological innovations like ‘spokes’; to composer-personalities from those Mandalas which I have designated as later ones, etc. etc. Perhaps, some OIT conspirator, in the eighteenth or nineteenth century AD managed to delete all such references from the collective memories of reciters all over India, and from every existing manuscript, even going ‘to each Pandit’s house, in the jungles of Orissa, etc’ and ‘forging their palm leaves???’. It is you who will find yourself in need of ‘conspiracy theories’ in order to counter my analysis”.