Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've alrea… - Isa Genzken
" "Well, at first I wanted to put blinds on the building [of the outdoor-sculpture Josef Strau did for her recently]. But when I do something I've already done before, I sometimes have a certain feeling of uncertainty. Although I am falling back on something that I know is safe and pretty good. But then it was all too expensive. I had seen glowing green, fresh bamboo at the KaDeWe store. It had attracted my attention and I thought it would be nice to do something with it. Back home, sitting over the photo, drawing some things on it, I remembered this lovely green bamboo again and also that there was this fascist building – or partly fascist building – next to the store, a theater, an ugly building. And then I thought, bamboo is politically correct, that's just the thing. But I also think it's visually beautiful. Simple. The work is called 'Haare wachsen wie sie wollen' ('Hair grows the way it wants')
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About Isa Genzken
Isa Genzken (born 27 November 1948) is a contemporary artist who lives and works in Berlin. Her primary media are sculpture and installation, using a wide variety of materials, including concrete, plaster, wood and textile. She also works with photography, video, film and collage.
Also Known As
Alternative Names:
Hanne-Rose Genzken
•
Isa Gemsken
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Additional quotes by Isa Genzken
The show is called 'Wind'. I tried here to make work which looks like wind, and it is the most difficult thing to do; I was thinking of Leonardo da Vinci – as he was, for instance, always wanting to fly. And then, this hand of Michael Jackson is like 'ffffffff', 'I'm leaving' (makes gesture with her hand and mouth in the mirror in the hallway of the gallery, mimicking the action that Jackson is depicted making on the invitation card of her show - Simon Denny). Not in a sad way, but.. ..in a way a little bit sad too. And then I said 'Isa Genzken', because I always liked him so much. For instance, I would always have jackets like this one. This is my favourite kind of style, and so I said 'ffff' [blowing gesture] 'Now I'm coming'.. .It's like 'don't be afraid, don't be sad, you know.. .I'm here.'
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I photographed the ears. Something organic. Something from the inside out. Coming from the head. I did this ear series in New York ['Ohr' (Ear). c. 1980] and I asked people, women, on the street if I could photograph their ear. Not a single woman said no. Because I didn't ask for their face, but for something largely anonymous.. ..just women on the street.. .It only took a moment. The women always said, what, my ear? Sure! But I never offended anyone by examining them. It was just the ear. And everyone thought that was great. That was a nice experience. For me as a photographer, too. Of course, I did work with some light and hair shining in the sun.. .I tried to make the situation nice for the ear.
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