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" "I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occurred to them to do anything less than perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
Richard Yates (February 3, 1926 – November 7, 1992) was an American fiction writer. His first novel, "Revolutionary Road" (1961), was a finalist for the 1962 National Book Award and is listed in Time Magazine's 100 Best Novels.
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"It took me a long time to figure out... that the best way to handle [the couple's dialogue] was to have them nearly always miss each other's points, to have them talk around and through and at each other. There's a great deal of dialogue between them in the finished book... but there's almost no communication." In other words Yates had remembered the lesson of his first great master, Fitzgerald—namely, that people rarely say what they mean, and good dialogue is a matter of catching one's characters "in the very act of giving themselves away".
It's funny, you know? Distance doesn't matter anymore. It's almost as if geography didn't exist. All you do is doze and float in a pressurised cabin for a while - and it doesn't even matter how long, because time isn't important, either - and before you know it you're in Los Angeles, or London, or Tokyo. Then if you don't happen to like wherever it is you find yourself, you can doze and float again until you find yourself somewhere else.