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" "Beyond the bend in the road
There may be a well, and there may be a castle,
And there may be just more road.
I don't know and don't ask.
As long as I'm on the road that's before the bend
I look only at the road before the bend,
Because the road before the bend is all I can see.
It would do me no good to look anywhere else
Or at what I can't see.
Let's pay attention only to where we are.
There's only enough beauty in being here and not somewhere else.
If there are people beyond the bend in the road,
Let them worry about what's beyond the bend in the road.
That, for them, is the road.
If we're to arrive there, when we arrive there we'll know.
For now we know only that we're not there.
Here there's just the road before the bend, and before the bend
There's the road without any bend.
Fernando Pessoa (13 June 1888 – 30 November 1935) was a Portuguese poet and writer, most of whose work was published posthumously. He wrote frequently under heteronyms, alter egos with developed personalities, biographies, jobs, habits, attitudes, addresses, etc., who sometimes quoted and interacted with each other and other people.
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Freedom is the possibility of isolation. You are free if you can withdraw from people, not having to seek them out for the sake of money, company, love, glory or curiosity, none of which can thrive in silence and solitude. If you can't live alone, you were born a slave. You may have all the splendours of the mind and the soul, in which case you're a noble slave, or an intelligent servant, but you're not free. And you can't hold this up as your own tragedy, for your birth is a tragedy of Fate alone. Hapless you are, however, if life itself so oppresses you that you're forced to become a slave. Hapless you are if, having been born free, with the capacity to be isolated and self-sufficient, poverty should force you to live with others.
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Through an experience that simultaneously involved my sensibility and intelligence, I realized early on that the imaginative life, however morbid it might seem, is the one that suits temperaments like mine. The fictions of my imagination (as it later developed) may weary me, but they don't hurt or humiliate. Impossible lovers can't cheat on us, or smile at us falsely, or be calculating in their caresses. They never forsake us, and they don't die or disappear. — The book of Disquiet