He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He’d already had… - Jasper Johns

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He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He’d already had a number of shows, knew everybody, had been to Black Mountain College in South Carolina, working with all those avant-garde people.. ..Rauschenberg focused very much on working. I was prepared to do that, too. He was also involved with Merce Cunningham dance group and totally unconcerned with his success, in the cliché term. All of the activity had a lively quality, quite separate from any commercial situation.. ..[Rauschenberg moved into a loft in Jaser John's building and they very closely worked together for a couple of years]. You get a lot by doing. It's very important for a young artist to see how things are done. The kind of exchange we had was stronger than talking. If you do something then I do something then you do something, it means more than what you say.

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About Jasper Johns

Jasper Johns, Jr. (born May 15, 1930, in Augusta, Georgia) is a contemporary artist; painter and printer. He was a close friend of Robert Rauschenberg, with which he shared studio and exchanged intensively ideas and inventions for some years. The two were also closely befriended with the composer John Cage and choreographer Merce Cunningham.

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Additional quotes by Jasper Johns

I have attempted to develop my thinking in such a way that the work I've done is not me – not to confuse my feelings with what I produced. I didn't want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same, and I tried to operate the same way. But I found I couldn't do anything that would be identical with my feelings. So I worked in such a way that I could say that it's not me. That accounts for the separation.

..it seems to me that you could take the opposite point of view, and say that continuity (in language and in thought, B.K.) is the thing that is so distressing and that what one can do is attempt to create a discontinuous situation. It seems to me that continuity is almost a static concept. And since we have the concept of discontinuity it seems to me that it would be more interesting to attempt to establish that.

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