In musico modulamine, non uniformiter, ut alibi, sed multipliciter, multisque modis et modulis, cantilenas emittunt. Adeo ut in turba canentium, sicu… - Gerald of Wales

Qui cum ex fratribus quatuor germanis pariter et uterinis natu minor existeret, tribus aliis nunc castra nunc oppida nunc palatia puerilibus, ut solet haec aetas, praeludiis in sabulo vel pulvere protrahentibus construentibus, modulo suo, solus hic simili praeludio semper ecclesias eligere et monasteria construere tota intentione satagebat.

It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.

Nec alia, ut arbitror, gens quam haec Kambrica, aliave lingua, in die districti examinis coram Judice supremo, quicquid de ampliori contingat, pro hoc terrarum angulo respondebit.