"But she's just a stripper." Moldowsky grabbed Dilbeck's shirt. "Fanne Fox," he said, "was 'just a stripper.' Donna Rice was just a model-slash-actre… - Carl Hiaasen

Bass magazines promote the species as the working man's fish, available to anyone within strolling distance of a lake, river, culvert, reservoir, rockpit, or drainage ditch. The bass is not picky; it is hardy, prolific, and on a given day will eat just about any God-awful lure dragged in front of its maw. As a fighter it is bullish, but tires easily; as a jumper its skills are admirable, though no match for a graceful rainbow trout or tarpon; as table fare it is blandly acceptable, even tasty when properly seasoned. Its astonishing popularity comes from a modest combination of these traits, plus the simple fact that there are so many largemouth bass swimming around that just about any damn fool can catch one. (Chapter 2)

The show's producers had strategically cultivated a fandom with two distinct segments: those who were cynically amused by the boorish culture of the Nance clan, and those who identified with it. Each week, the writers strived to portray the brothers on a social bandwidth halfway between harmless rednecks and odious white trash. It was a precarious tightwire. (Chapter 14)

[Rudy] didn't give two hoots about certification by the American Board of Plastic Surgery, or the American Board of Facial and Reconstructive Surgery, or the American Society of Plastic and Reconstructive Surgeons. What were a couple more snotty plaques on the wall? His patients could care less. They were rich and vain and impatient. In some exclusive South Florida circles, Rudy's name carried the glossy imprimatur of a Gucci or a de la Renta. The lacquered old crones at La Gorce or the Biltmore would point at each other's shiny chins and taut necks and sculpted eyelids and ask, not in a whisper, but in a haughty bray, "is that a Graveline?" Rudy was a designer surgeon. To have him suck your fat was an honor, a social plum, a mark (literally) of status. Only a boor, white trash or worse, would ever question the man's techniques or complain about the results. (Chapter 30)