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" "Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art. One is then accepting the nature of art to be the European tradition of a painting-sculpture dichotomy.
(born January 31, 1945), is an American conceptual artist. He lives in New York and London, after residing in various cities in Europe, including Ghent, Rome and Berlin.
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Fundamental to this idea of art (conceptual art) is the understanding of the linguistic nature of all art propositions, be they past or present, and regardless of the elements used in their construction. (note: Without this understanding a 'conceptual' form of presentation is little more than a manufactured stylehood, and such art we have with increasing abundance.)
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The work process begins when I start selecting quotations from a large collection I already have, given that I use such texts often in my work and have for a long time. In fact, appropriation of this kind––along with other kinds––has been part of my work since the beginning in the ’60s. I go through hundreds of these amassed quotes from my own research and that of my staff, make my choices, and then continually add them in relation to the quotes I already have selected. The surplus meaning that is constructed by using the words of others in conjunction with each other, which is my goal, is a far more delicate operation than it may seem.