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" "He too had played with anarchy; though not with socialism, which, to young men who nourished artistic emotions under the dome of the Pantheon, seemed hopelessly bourgeois, and lowest middle-class.
Henry Brooks Adams (16 February 1838 – 27 March 1918) was a U.S. historian, journalist, novelist and educator. He was the great-grandson of John Adams, grandson of John Quincy Adams and son of Charles Francis Adams, Sr.
Biography information from Wikiquote
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Granted a Church, Saint Thomas's Church was the most expressive that man has made, and the great gothic Cathedrals were its most complete expression. Perhaps the best proof of it is their apparent instability. Of all the elaborate symbolism which has been suggested for the gothic Cathedral, the most vital and most perfect may be that the slender nervure, the springing motion of the broken arch, the leap downwards of the flying buttress,— the visible effort to throw off a visible strain,— never let us forget that Faith alone supports it, and that, if Faith fails, Heaven is lost. The equilibrium is visibly delicate beyond the line of safety; danger lurks in every stone. The peril of the heavy tower, of the restless vault, of the vagrant buttress; the uncertainty of logic, the inequalities of the syllogism, the irregularities of the mental mirror,— all these haunting nightmares of the Church are expressed as strongly by the gothic Cathedral as though it had been the cry of human suffering, and as no emotion had ever been expressed before or is likely to find expression again. The delight of its aspirations is flung up to the sky. The pathos of its self-distrust and anguish of doubt, is buried in the earth as its last secret. You can read out of it whatever else pleases your youth and confidence; to me, this is all.
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The art is French, but the ideas may have come from anywhere, like the game of chess which the pilgrims or crusaders brought home from Syria. In the oriental game, the King was followed step by step by a Minister whose functions were personal. The crusaders freed the piece from control; gave it liberty to move up or down or diagonally, forwards and backwards; made it the most arbitrary and formidable champion on the board, while the King and the Knight were the most restricted in movement; and this piece they named Queen and called the Virgin.