53 Quotes Tagged: creative-process

If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.

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When I write, I fall into the zone many writers, painters, musicians, athletes, and craftsmen of all sorts seem to share: In doing something I enjoy and am expert at, deliberate thought falls aside and it is all just THERE. I think of the next word no more than the composer thinks of the next note.

The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises.

You are always learning. At the end of each day, you know something you didn't know at the beginning. We're all learning on the job. This is true even when the thing you've learned is that you know less than you thought.

Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things — childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves — that go on slipping , like sand, through our fingers.

It doesn't matter if you're seventeen or fifty-seven, if you come from a poor background or a rich one, if you went to the best schools or the worst. It. Doesn't. Matter.
What matters is listening to the small voice at the back of your head that says *This is what gives me joy.*
It's about fighting naysayers and self-doubt when you feel you can't fight for even one more second. It's about standing up when all you want to do is lie down until life stops hitting you. It's not easy. It was never *meant* to be easy. But it can be done if we *choose* to do it.

...if you want to burn bright, hard, and long, you will need to depend upon more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you farther when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically.

Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.

"The "if I had time" lie is a convenient way to ignore the fact that novels require being written and that writing happens a sentence at a time. Sentences can happen in a moment. Enough stolen moments, enough stolen sentences, and a novel is born - without the luxury of time."

Men who create art feel a zillion times happier than men who create wealth.
Art lives on but wealth diminishes.