The offer to direct an animated version of Blue Dragon came in February of last year . Studio Pierrot approached me regarding it. I knew that Sakaguchi had been working on assembling staff to produce a game, although at the time Blue Dragon hadn't yet been formally announced. According to the materials, it was to be a fantasy world like Lord of the Rings, with a detailed world view and story. This may be my final anime, I'm a little worried (about it). There's incredible pressure, but at the same time, there's a sense of accomplishment — that it's worth doing. Blue Dragon will be a masterpiece, not simply because I'm working hard on it, but because the staff is expecting nothing less.

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Akira Toriyama: That's a tough question. I thought of Piccolo first, and I wanted to draw him as a scary character, and it was only afterwards that I had to come up with a species. Since they have antennae, I thought they looked like slugs. So "Namekian" is a play on words, but I didn't think too deeply about it. I don't think they're plants, but they may be hermaphrodites.

The method of producing comics in Japan is very hectic, but it's also rewarding because it's possible to do both the story and art all by yourself. In this way, it's possibly to bring out one's individuality. If this idea appeals to you, I call on you to try drawing your own manga.

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With second-form Cell as well, I liked him well enough. Actually, I had wanted him to play a more active role. But since I was told he looked stupid, I had no choice but to change him. (laughs) So I made him into his cool-looking perfect form, which was to Kondō-san's liking.