For me, the edges of a picture are the most important areas. I like to think of the image as a small segment of a much larger scene, so that you feel that, if you could see behind the edges of the "snapshot" there would be something equally, or more, interesting going on. It's a window into another world, but you don't necessarily have to see the window frame. You might even see more clearly without it.
illustrator and movie conceptual designer
Alan Lee (born 20 August 1947) is an English book illustrator.
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I’m not free to do whatever I like stylistically, since my work is going to be wedded to the words. The responsibility is to help to tell the story, without interfering with the readers’ imagination. In a way it is a bit more akin to a sets designer or to providing music for a film. You are serving the text and you are serving the story. So that’s what I do. I’m an illustrator. But I think you have to be an artist to be able to do that as effectively I can.
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