The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend.
English writer and philosopher (1894–1963)
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was a British author known for his novel Brave New World. He was the grandson of Thomas Henry Huxley and younger brother of Julian Huxley.
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Birth Name:
Aldous Leonard Huxley Arnold
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Aldous Leonard Huxley
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I strongly suspect that most of the great knowers of Suchness paid very little attention to art.... (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.
The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as where? — how far? — how situated in relation to what? In the mescaline experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern."
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and inner world, not as they appear to an animal obsessed with survival or to a human being obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large — this is an experience of inestimable value to everyone and especially to the intellectual.
And, oddly enough, even at times when the current style permitted a treatment of the less epileptic aspects of religion, no fully adequate rendering of the contemplative life was ever achieved in the plasdc arts of Christendom. The peace that passes all understanding was often sung and spoken; it was hardly ever painted or carved. Thus, in the writings of St. Bernard, of Albertus Magnus, of Eckhart and Tauler and Ruysbroeck one may find passages that express very clearly the nature and significance of mystical contemplation. But the saints who figure in medieval painting and sculpture tell us next to nothing about this anticipation of the beatific vision. There are no equivalents of those Far Eastern Buddhas and Bodhisattvas who incarnate, in stone and paint, the experience of ultimate reality.
Progress and Nationalism—those were the two great ideas He put into their heads. Progress—the theory that you can get something for nothing; the theory that you can gain in one field without paying for your gain in another; the theory that you alone understand the meaning of history; the theory that you know what’s going to happen fifty years from now; the theory that, in the teeth of all experience, you can foresee all the consequences of your present actions; the theory that Utopia lies just ahead and that, since ideal ends justify the most abominable means, it is your privilege and duty to rob, swindle, torture, enslave and murder all those who, in your opinion (which is, by definition, infallible), obstruct the onward march to the earthly paradise. Remember that phrase of Karl Marx’s: ‘Force is the midwife of Progress.’ He might have added—but of course Belial didn’t want to let the cat out of the bag at that early stage of the proceedings—that Progress is the midwife of Force. Doubly the midwife, for the fact of technological progress provides people with the instruments of ever more indiscriminate destruction, while the myth of political and moral progress serves as the excuse for using those means to the very limit. I tell you, my dear sir, an undevout historian is mad. The longer you study modern history, the more evidence you find of Belial’s Guiding Hand.
Our present economic, social and international arrangements are based, in large measure, upon organized lovelessness. We begin by lacking charity towards Nature, so that instead of trying to co-operate with Tao or the Logos on the inanimate and subhuman levels, we try to dominate and exploit, we waste the earth's mineral resources, ruin its soil, ravage its forests, pour filth into its rivers and poisonous fumes into its air. From lovelessness in relation to Nature we advance to lovelessness in relation to art--a lovelessness so extreme that we have effectively killed all the fundamental or useful arts and set up various kinds of mass production by machines in their place. And of course this lovelessness in regard to art is at the same time a lovelessness in regard to the human beings who have to perform the fool-proof and grace-proof tasks imposed by our mechanical art-surrogates and by the interminable paper work connected with mass production and mass distribution. With mass-production and mass-distribution go mass-financing, and the three have conspired to expropriate ever-increasing numbers of small owners of land and productive equipment, thus reducing the sum of freedom among the majority and increasing the power of the minority to exercise a coercive control over the lives of their fellows. (Chapter V - Charity)
We have been given free will, in order that we may will our self-will out of existence and so come to live continuously in a ‘state of grace.’ All our actions must be directed, in the last analysis, to making ourselves passive in relation to the activity and the being of divine reality. We are, as it were, aeolian harps, endowed with the power either to expose themselves to the wind of the Spirit or to shut themselves away from it.
The Bhagavad-Gita is perhaps the most systematic scriptural statement of the Perennial Philosophy. To a world at war, a world that, because it lacks the intellectual and spiritual prerequisites to peace, can only hope to patch up some kind of precarious armed truce, it stands pointing, clearly and unmistakably, to the only road of escape from the self-imposed necessity of self-destruction.