English writer and philosopher (1894–1963)
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was a British author known for his novel Brave New World. He was the grandson of Thomas Henry Huxley and younger brother of Julian Huxley.
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Birth Name:
Aldous Leonard Huxley Arnold
Alternative Names:
Aldous Leonard Huxley
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If we could sniff or swallow something that would, for five or six hours each day, abolish our solitude as individuals, atone us with our fellows in a glowing exaltation of affection and make life in all its aspects seem not only worth living, but divinely beautiful and significant, and if this heavenly, world-transfiguring drug were of such a kind that we could wake up next morning with a clear head and an undamaged constitution-then, it seems to me, all our problems (and not merely the one small problem of discovering a novel pleasure) would be wholly solved and earth would become paradise.
I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'
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The course of every intellectual, if he pursues his journey long and unflinchingly enough, ends in the obvious, from which the non-intellectuals have never stirred. ...The thoroughly contemptible man may have valuable opinions, just as in some ways the admirable man can have detestable opinions. ...Many intellectuals, of course, don't get far enough to reach the obvious again. They remain stuck in a pathetic belief in rationalism and the absolute supremacy of mental values and the entirely conscious will. You've got to go further than the nineteenth-century fellows, for example; as far at least as Protagoras and Pyrrho, before you get back to the obvious in which the nonintellectuals have always remained. ...these nonintellectuals aren't the modern canaille who read the picture papers and... are preoccupied with making money... They take the main intellectualist axiom for granted—that there's an intrinsic superiority in mental, conscious, voluntary life over physical, intuitive, instinctive, emotional life. The whole of modern civilization is based on the idea that the specialized function which gives a man his place in society is more important than the whole man, or rather is the whole man, all the rest being irrelevant or even (since the physical, intuitive, instinctive and emotional part of man doesn't contribute appreciably to making money or getting on in an industrialized world) positively harmful and detestable. ...The nonintellectuals I'm thinking of are very different beings. ...There were probably quite a lot of them three thousand years ago. But the combined efforts of Plato and Aristotle, Jesus, Newton and big business have turned their descendants into the modern bourgeoisie and proletariat. The obvious that the intellectual gets back to, if he goes far enough, isn't of course the same as the obvious of the nonintellectuals. For their obvious is life itself and his recovered obvious is only the idea of that life. Not many can put flesh and blood on the idea and turn it into reality. The intellectuals who, like Rampion, don't have to return to the obvious, but have always believed in it and lived it, while at the same time leading the life of the spirit, are rarer still.
Ever since his mother's second marriage Spandrell had always perversely made the worst of things, chosen the worst course, deliberately encouraged his own worst tendencies. It was with debauchery that he distracted his endless leisures. He was taking his revenge on her... He was spiting her, spiting himself, spiting God. He hoped there was a hell for him to go to and regretted his inability to believe in its existence. ...it was even exciting in those early days to know that one was doing something bad and wrong. But there is in debauchery something so intrinsically dull, something so absolutely and hopelessly dismal, that it is only the rarest beings, gifted with much less than the usual amount of intelligence and much more than the usual intensity of appetite, who can go on actively enjoying a regular course of vice or continue actively to believe in its wickedness. Most habitual debauchees are debauchees not because they enjoy debauchery, but because they are uncomfortable when deprived of it. Habit converts luxurious enjoyments into dull and daily necessities.
Lord Edward was not listening to his assistant. He had taken his pipe out of his mouth, he had lifted his head and at the same time slightly cocked it on one side. He was frowning, as though making an effort to seize and remember something. He raised his hand in a gesture that commanded silence; Illidge interrupted himself in the middle of his sentence and also listened. A pattern of melody faintly traced itself upon the silence...
Pongileoni's bowing and the scraping of the anonymous fiddlers had shaken the air in the great hall, had set the glass of the windows looking onto it vibrating: and thus in turn had shaken the air in Lord Edward's apartment on the further side. The shaking air rattled Lord Edward's membrane tympani; the interlocked malleus, incus, and stirrup bones were set in motion so as to agitate the membrane of the oval window and raise an infinitesimal storm in the fluid of the labyrinth. The hairy endings of the auditory nerve shuddered like weeds in a rough sea; a vast number of obscure miracles were performed in the brain, and Lord Edwards ecstatically whispered "Bach!" He smiled with pleasure, his eyes lit up. The young girl was singing to herself in solitude under the floating clouds. And then the cloud-solitary philosopher began poetically to meditate. "We must really go downstairs and listen," said Lord Edward. He got up, "Come," he said. "Work can wait. One doesn't hear this sort of thing every night."
The film concludes with ... the most nauseatingly luscious, the most penetratingly vulgar mammy song that it has ever been my lot to hear. My flesh crept as the loud speaker poured out those sodden words, the greasy, sagging melody. I felt ashamed of myself for listening to such things, for even being a member of the species to which such things are addressed.
If good music has charms to soothe the savage breast, bad music has no less powerful spells for filling the mildest breast with rage, the happiest with horror and disgust. Oh, those mammy songs, those love longings, those loud hilarities! How was it possible that human emotions intrinsically decent could be so ignobly parodied.
There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world's capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don't want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else's categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.
this Jewish doctrine of the primacy of economic values has found the widest acceptance and been most whole-heartedly acted upon. From America it has begun to infect the rest of the world
We may be pardoned for wishing that the Jews had remained not forty, but four thousand years in their repulsive wilderness.