By Heaven, had I the teeth of Caucasus
Red-hot from Promethean agonies,
And tusks more lucid than the lunar snows,
On those jagged lawns of Asia, cavernous
With many a dragon banquet-eyes like those
Minerva made of flint to shatter Jove — I'd hurl their hate upon thee, and myself
Die in a red parabola of Fate! — Ernest Wheldrake, The Monomaniac's Tragedy

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God by God flits past in thunder, till His glories turn to shades; God to God bears wondering witness how His gospel flames and fades. More was each of these, yet they were, than man their servant seemed: Dead are all of these, and man survives who made them while he dreamed.

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Æschylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of Æschylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with Æschylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance. The two chief agents in his two great tragedies pass away — the phrase was, perhaps, unconsciously repeated — "in a mist": perplexed, indomitable, defiant of hope and fear bitter and sceptical and bloody in penitence or impenitence alike. And the mist which encompasses the departing spirits of these moody and mocking men of blood seems equally to involve the lives of their chastisers and their victims. Blind accident and blundering mishap — "such a mistake", says one of the criminals, "as I have often seen in a play" — are the steersmen of their fortunes and the doomsmen of their deeds. The effect of this method or the result of this view, whether adopted for dramatic objects or ingrained in the writer's temperament, is equally fit for pure tragedy and unfit for any form of drama not purely tragic in evolution and event.

WE live in an age when not to be scientific is to be nothing; the man untrained in science, though he should speak with the tongues of men and of angels, though he should know all that man may know of the history of men and their works in time past, though he should have nourished on the study of their noblest examples in art and literature whatever he may have of natural intelligence, is but a pitiable and worthless pretender in the sight of professors to whom natural science is not a mean but an end; not an instrument of priceless worth for the mental workman, but a result in itself satisfying and final, a substitute in place of an auxiliary, a sovereign in lieu of an ally, a goal instead of a chariot.

We had stood as the sure stars stand, and moved As the moon moves, loving the world; and seen Grief collapse as a thing disproved, Death consume as a thing unclean. Twain halves of a perfect heart, made fast Soul to soul while the years fell past; Had you loved me once, as you have not loved; Had the chance been with us that has not been. I have put my days and dreams out of mind, Days that are over, dreams that are done. Though we seek life through, we shall surely find There is none of them clear to us now, not one.

I believe Not more in God's word than in yours; and this Not for your station's sake, nor yet your fame's, How high soe'er the wind of war have blown The splendour of your standard: but, my lord, Your face and heart and speech, being one, require Of any not base-born and servile-souled Faith: and my faith I give you.

Love, that is first and last of all things made,
The light that has the living world for shade,
The spirit that for temporal veil has on
The souls of all men woven in unison,
One fiery raiment with all lives inwrought
And lights of sunny and starry deed and thought,
And alway through new act and passion new
Shines the divine same body and beauty through,
The body spiritual of fire and light
That is to worldly noon as noon to night;
Love, that is flesh upon the spirit of man
And spirit within the flesh whence breath began;
Love, that keeps all the choir of lives in chime;
Love, that is blood within the veins of time;
That wrought the whole world without stroke of hand,
Shaping the breadth of sea, the length of land,
And with the pulse and motion of his breath
Through the great heart of the earth strikes life and death,
The sweet twain chords that make the sweet tune live
Through day and night of things alternative,
Through silence and through sound of stress and strife,
And ebb and flow of dying death and life:
Love, that sounds loud or light in all men's ears,
Whence all men's eyes take fire from sparks of tears,
That binds on all men's feet or chains or wings;
Love that is root and fruit of terrene things;
Love, that the whole world's waters shall not drown,
The whole world's fiery forces not burn down;
Love, that what time his own hands guard his head
The whole world's wrath and strength shall not strike dead;
Love, that if once his own hands make his grave
The whole world's pity and sorrow shall not save;
Love, that for very life shall not be sold,
Nor bought nor bound with iron nor with gold;
So strong that heaven, could love bid heaven farewell,
Would turn to fruitless and unflowering hell;
So sweet that hell, to hell could love be given,
Would turn to splendid and sonorous heaven;
Love that is fire within thee and light above,
And lives by grace of nothing but of love;
Through many and lovely thoughts and much desire
Led these twain to the life of tears and fi

The loves and hours of the life of a man, They are swift and sad, being born of the sea. Hours that rejoice and regret for a span, Born with a man's breath, mortal as he; Loves that are lost ere they come to birth, Weeds of the wave, without fruit upon earth. I lose what I long for, save what I can, My love, my love, and no love for me!