Anthony Burgess Quotes

Mr Liversedge...saw the whole ridiculous Oriental susah in true proportion. Here men would murder for five dollars, here men would seek divorce because their wives sighed at the handsomeness of the film star P.Ramlee....nodding at the lucid exposition of Mr Lim from Penang, though contemning inwardly the Pommie accent...

In a sense [Lawrence] is the patron saint of all writers who have never had an Oxford or Cambridge education who are somewhat despised by those who have. ['The Rage of D.H. Lawrence', The South Bank Show (TV), 1985]

Grimaldi and a sixteen-year-old girl still at Hollywood High. He was a good journalist but he was going to die soon. At fifty he was on a bottle and a half of Californian brandy a day and four packs of Lucky Strike. His clothes smelt as though they were seeped in tobacco juice. His white forlock was stained with it...

...The fucking heat and the flies and scorpions and all this fucking sand....These fucking great swarms of black flies had plenty to drink, which was the sweat on our necks and faces. In a way you could see that a man could laugh at the extremes of the misery of it, stumbling through all this white sand like hot snow, the dried shit in our breeches, and knowing we were marching on on on on only to get cut to pieces with fucking axes and scimitars at the end of it....Once or twice we came to villages, but they were all empty or full of dead that the Bedouin had left to the flies and the ants, and the wells had been filled in with stones....and the only sound was the buzzing of those fucking great black flies....and the sun was like a great round arse shitting fire.

And then there were the sick to be transported back to Cairo (where already the holy war might have spread like the bubonic and smiling beards above gelder’s knives be waiting at the gates), and how in the name of filthy castrating Allah did you march men back through the Sinai who couldn’t even sit a mule? He reviewed the sweating patients in gloom, all distorted with bubos…

In China he had spoken good Mandarin, and in ten years this had become his first tongue. Here he found himself with a parish of Hokkien and Cantonese speakers and a few English people whose language he could hardly talk. His French, severed from its sources of nourishment, grown coarse through lack of use, halted and wavered, searching for the right word which Mandarin was always ready to supply.

Is this really true? If we take an average day in the life of the average man we seem to see very little evidence of concern with the sciences and the arts. The average man gets up, goes to work, eats his meals, reads the newspapers, watches television, goes to the cinema, goes to bed, sleeps, wakes up, starts all over again. Unless we happen to be professional scientists, laboratory experiments and formulae have ceased to have any meaning for most of us; unless we happen to be poets or painters or musicians—or teachers of literature, painting, and music—the arts seem to us to be only the concern of schoolchildren. And yet people have said, and people still say, that the great glories of our civilisation are the scientists and artists. Ancient Greece is remembered because of mathematicians like Euclid and Pythagoras, because of poets like Homer and dramatists like Sophocles. In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.

A heavy task, but there was light relief In the Germanic ambience, boisterous, brash, Torchlit parades and pogroms, guttural grief In emigration queues, the smash and crash Of pawnshop windows by insentient beef In uniform, the gush of beer, the splash Of schnapps, the joy of being drunk and Aryan, Though Hitler was a teetotalitarian. Human pain meant But little in the Gulf War's visual grammar, a Big feast of death to feed the cinecamera

The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.

There was a silence. Outside, and most unfortunately, a boy could be heard calling to another boy: ‘Piss off, Cowie.’ Stern looks were fixed on Woolton.

I was cured all right.

It seems priggish or pollyannaish to deny that my intention in writing the work was to titillate the nastier propensities of my readers. My own healthy inheritance of original sin comes out in the book and I enjoyed raping and ripping by proxy. It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.

Each man kills the thing he loves

…surely that sneered-at suburban life was more stable than this shadow life…in a country where no involvement was possible…better than the sordid dalliance that soothed me after work?

Edwin, so much himself a sham, felt a sort of kinship with the sham pleasures of Tottenham Court Road and Oxford Street as they travelled painfully towards Soho.