Martin Amis Quotes

Laughter always forgives.

Like writing, paintings seem to hint at a topsy-turvy world in which, so to speak, time’s arrow moves the other way.

Viewed at its grandest, P.C. is an attempt to accelerate evolution. To speak truthfully, while that's still okay, everybody is a racist or has racial prejudices. This is because human beings tend to like the similar, the familiar, the familial. Again, I say, I am a racist. I am not as racist as my parents. My children will not be as racist as I am. Freedom from racial prejudice is what we hope for down the line. Impatient with this hope, this process, P.C. seeks to get things done right now. In a generation or at the snap of a finger, you can simply announce yourself to be purged of these atavisms.

Denunciation in Russia has a long history, going back at least as far as the sixteenth century and the testingly protracted reign of Ivan the Terrible (1533– 84). “Spy or die” was, more or less, the oath you swore. This practice, increasingly institutionalized under the old regime, was a tsarist barbarity that Lenin might have been expected to question.

"Stalin's mental journey, by 1943, proceeded in the opposite direction to that of Hitler. One moved toward reality; the other moved away from it. They crossed paths at Stalingrad. And as the war turned on the hinge of that battle (and on the new psychological opposition), Stalin might have concerned himself with a "counterfactual": if, instead of decapitating his army, he had intelligently prepared it for war, Russia might have defeated Germany in a matter of weeks. Such a course of action, while no doubt entailing grave consequences of its own, would have saved about 40 million lives, including the vast majority of the victims of the Holocaust."

It was explained that the North Korean matter was a diplomatic inconvenience, while Iraq's non-disarmament remained a "crisis". The reason was strategic: even without WMDs, North Korea could inflict a million casualties on its southern neighbour and raze Seoul. Iraq couldn't manage anything on this scale, so you could attack it. North Korea could, so you couldn't. The imponderables of the proliferation age were becoming ponderable. Once a nation has done the risky and nauseous work of acquisition, it becomes unattackable. A single untested nuclear weapon may be a liability. But five or six constitute a deterrent. From this it crucially follows that we are going to war with Iraq because it doesn't have weapons of mass destruction. Or not many. The surest way by far of finding out what Iraq has is to attack it. Then at last we will have Saddam's full cooperation in our weapons inspection, because everything we know about him suggests that he will use them all. The Pentagon must be more or less convinced that Saddam's WMDs are under a certain critical number. Otherwise it couldn't attack him.

I know what his poetry will be about. What poetry is always about. The cruelty of the poet's mistress.

Pain is nature’s way of telling us that something is wrong. Patiently, pain goes on telling us this, long after we’ve got the message.

Probably all writers are at some point briefly under the impression that they are in the forefront of disintegration and chaos, that they are among the first to live and work after things fall apart. The continuity such an impression ignores is a literary continuity.

It’s possible to be flippant here, when Jihadists fly aircraft into buildings they shout God is Great, what do atheists shout when they do it?

When you considered this world — people winched up and lowered down into the earth in steel cages and speed-fed through the tunnels, with doors cracking everywhere, and arctic winds mingling with dusty gaps of fire from the planet's core — it was hard to believe how delicate life was, how breakable things were.

America has had much more respect for its writers because they had to define what America was. America wasn't sure what it was.

Philip Larkin, a big, fat, bald librarian at the University of Hull, was unquestionably England's unofficial laureate: our best-loved poet since the war; better loved for our poet than John Betjeman, who was loved also for his charm, his famous beagle, his patrician Bohemianism and his televisual charisma, all of which Larkin notably lacked. Ten years later, Larkin is now something like a pariah, or an untouchable.

Imagine the terrestrial timespan as an outstretched arm: a single swipe of an emery-board, across the nail of the third finger, erases human history. We haven't been around for very long. And we've turned the earth's hair white. Sh e seemed to have eternal youth but now she's ageing awful fast, like an addict, like a waxless candle. Jesus, have you seen her recently? we used to live and die without any sense of the planet getting older, of mother earth getting older, living and dying. We used to live outside history. But now we're all coterminous. We're inside history now all right, on its leading edge, with the wind ripping past our ears. Hard to love, when you're bracing yourself for impact. And maybe love can't bear it either, and flees all planets when they reach this condition, when they get to the end of their twentieth centuries.

It used to be said that by a certain age a man had the face that he deserved. Nowadays, he has the face he can afford.