But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must for ever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?

One of the benefits of being a writer, I think, is that if what you're doing for a living is examining your life, hopefully by the time you reach this advanced age, you understand something about yourself and why you think what you think. Of course, other writers go in different directions.

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Human beings have a remarkable talent for persuading themselves of the authenticity and nobility of aspects of themselves which are in fact expedient, spurious, base.

For many people, I've ceased to be a human being. I've become an issue, a bother, an "affair." ... And has it really been so long since religions persecuted people, burning them as heretics, drowning them as witches, that you can't recognize religious persecution when you see it? ... What is my single life worth? Despair whispers in my ear: "Not a lot." But I refuse to give in to despair ... because ... I know that many people do care, and are appalled by the ... upside-down logic of the post-fatwa world, in which a ... novelist can be accused of having savaged or "mugged" a whole community, becoming its tormentor (instead of its ... victim) and the scapegoat for ... its discontents... . (What minority is smaller and weaker than a minority of one?)

The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.

United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for?

The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.

How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.

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Life is fury, he'd thought. Fury — sexual, Oedipal, political, magical, brutal — drives us to our finest heights and coarsest depths. Out of furia comes creation, inspiration, originality, passion, but also violence, pain, pure unafraid destruction, the giving and receiving of blows from which we never recover. The Furies pursue us; Shiva dances his furious dance to create and also to destroy. But never mind about gods! Sara ranting at him represented the human spirit in its purest, least socialized form. This is what we are, what we civilize ourselves to disguise — the terrifying human animal in us, the exalted, transcendent, self-destructive, untramelled lord of creation.

(...) every story one chooses to tell is a kind of censorship, it prevents the telling of other tales (...)

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Iff replied that the Plentimaw Fishes were what he called 'hunger artists' — 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old — it is the new combinations that make them new.