American author and literary critic
Samuel Ray Delany Jr. (born 1 April 1942) is an award-winning science fiction author. He has written works that have garnered substantial critical acclaim, including the novels Nova, The Einstein Intersection, Hogg, and Dhalgren. He is a professor of Comparative Literature and Creative Writing at Temple University, and is also known in the academic world as a literary critic.
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While any situation could be used as an image of any other, no thing could be an image of another—especially two things as complicated as two people. And to use them as such was to abuse them and delude oneself—that it was the coherence and ability of things (especially people) to be their unique and individual selves that allowed the malleability and richness of images to occur at all.
A lesson which history should have taught us thousands of years ago was finally driven home. No man can wield absolute power over other men and still retain his own mind. For no matter how good his intentions are when he takes up the power, his alternate reason is that freedom, the freedom of other people and ultimately his own, terrifies him. Only a man afraid of freedom would want this power, who could conceive of wielding it. And that fear of freedom will turn him into a slave of this power.
As one grows older, one lives more and more off the little signs of whatever community one moves through day to day and less and less off the gifts that fall out of individual relationships. If one does not prepare for this change in youth, than age becomes a bitter time. This is not to disparage the beauty of one’s relationships with lover or friend. It is only to acknowledge what, for so many in the city, is a sad truth. Community can, however awkwardly, replace individual relationships. But individual relationships only grow poisonous and resentful if there is no community to support them.
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But as soon as any of us dies, there is only the monster left. What I had been pursuing was not Belham but the monster called Belham. And what my whole journey had taught me was precisely what sort of monster it was: it was made, as all such monsters are, of contradiction, supposition, miscalculation, impossibility, and ignorance.