A Chinaman of the T'ang Dynasty — and, by which definition, a philosopher — dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.

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LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed?

NOAKES: The hermitage, my lady?

LADY CROOM: It is a cowshed.

NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney — LADY CROOM: And who is to live in it?

NOAKES: Why, the hermit.

LADY CROOM: Where is he?

NOAKES: Madam?

LADY CROOM: You surely do not supply an hermitage without a hermit?

NOAKES: Indeed, madam — LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have?

NOAKES: I have no hermits, my lady.

LADY CROOM: Not one? I am speechless.

NOAKES: I am sure a hermit can be found. One could advertise.

LADY CROOM: Advertise?

NOAKES: In the newspapers.

LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.

We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. And time is its only measure.

THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! — can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides — thousands of poems — Aristotle's own library!....How can we sleep for grief?

SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?

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Rosencrantz: I don't believe in it anyway.
Guildenstern: What?
Rosencrantz: England.
Guildenstern: Just a conspiracy of cartographers, then?

He's never known anything like it! But then, he has never known anything to write home about, so this is nothing to write home about.

HANNAH: ....English landscape was invented by gardeners imitating foreign painters who were evoking classical authors. The whole thing was brought home in the luggage from the Grand Tour. Here, look — Capability Brown doing Claude, who was doing Virgil. Arcadia! And here, superimposed by Richard Noakes, untamed nature in the style of Salvator Rosa. It's the Gothic novel expressed in landscape. Everything but vampires.

It's all trivial-your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in. That's why you can't believe in the afterlife, Valentine. Believe in the after but not the life. Believe in god, the solid, the spirit, the infinite, believe in angels if you like, but not in the great celestial get-together for an exchange of view. If the answers are in the back of the book I can wait, but what a drag. Better to struggle on knowing that failure is final.

Bennett seems to be showing alarming signs of irony. I have always found that irony among the lower orders is the first sign of an awakening social consciousness. It remains to be seen whether it will grow into an armed seizure of the means of production, distribution and exchange, or spend itself in liberal journalism.