Arshile Gorky Quotes

The Persian art is great, I feel compelled to tell you this my Mouguch [pet name for his wife], because it pleases me so much. I adore those sick and lovely Persian – civilization which reveals there ancient custom's to me, which is deeply impregnated with my own.

Dear Dorothy, my biography is very short [asked for by the MOMA].. ..I was born in Tiflis, Caucacus, South Russia, October 25th, 1904 and after the usual studies I came to America in 1920. I had been painting steadily since I was seven and continued to do so during my three and a half years at Brown University where I studied engineering. In 1925 I came to New York and taught at the Grand Central Art School for seven years. I have been living and working ever since in New York.

I don't like that word 'finish'. When something is finished, that means it's dead, doesn't it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting. [quote of 1948]

I love Mougouch [Gorky's wife]. What about papa Cézanne.. .I like the wheat fields the plough the apricots those flirts of the sun. And bread above all. My lever is such with the purple.. .About 194 feet away from our house [In Armenia] on the road to the spring my father had a little garden with a few apple trees which had retired from giving fruit.. .This garden was identified as the 'Garden of Wish Fulfillment' and often I had seen my mother and other village women opening their bosoms and taking their soft and dependable breasts in their hands to rub them on the rocks. Above all this stood an enormous tree all bleached under the sun the rain the cold and deprived of leaves. This was the Holy Tree.. [quote in 1942]

I like the heat the tenderness the edible the lusciousness the song of a single person the bathtub full of water to bathe myself beneath the water. I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings of Seurat and that man [=Pablo Picasso ]. I measure all things by weight.

..it was the Cubist painters who created the new magic of space and color that everywhere today confronts our eyes in new architecture and design. Since then the various branches of modern art through exhaustive experiment and research have created a vast laboratory whose discoveries unveiled for all the secrets of form, line and color..

An epidemic of destruction sweeps the world today. The mind of civilized man is set to stop it. What the enemy would destroy, however, he must first see. To confuse and paralyze this vision is the role of camouflage. Here the artist and more particularly the modern artist can fulfill a vital function for opposed to this vision of destruction is the vision of creation. Historically, it has been the artist's role to make manifest the beautiful inherent in all the objects of nature and man. In the study of the object, as a thing seen, he has acquired a profound understanding and sensibility concerning its visual aspects..

I have to go away, but with regrets and with the firm intention to come back soon. I consider most sound I am an individual Gorky – and it is my individual feeling which counts for the most. Why? I do not know nor do I wish to know. I accept it as a fact, which does not need explanation.

Art comes instinctively to us, but it is so uncertain. I have in front of me photographs of all Picasso’s best works. The mere I admire them the further I feel myself removed from all art, it seems so easy, so limited! We are part of the world creation, and we ourselves create nothing.

My sweet, I do not mean to upset you in writing this, but I want to tell you that within us, as within the nature of every person's soul there is an emptiness and we constantly seek to find that and those in order to escape from being alone. This always has been so, and always the weight of loneliness is with us, and for this reason we think of this thing or that so as not to be left alone.

These days a very melancholic mood has taken hold of me. There is nothing else but my work. My dear ones, I have been well and I have been working and my way of working is changing. For this reason I always feel extremely anxious. I am not content and perhaps I will not (ever) be satisfied with my work, not even for one day. I want to attain works which are more personal and clean.

Subject.. ..no specific scene but many incidents. – The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]

Rimbaud has epitomized for me the true function of the artist when he wrote: 'The poet should define the quantity of the unknown which awakes in his time, in the universal soul. He should give more than the formula of his thought, than the annotation of his march toward progress. The enormous becoming the normal, when absorbed by everyone, he would really be a multiplication of progress.'

Stuart Davis.. ..is one of but few, who realized his canvas as a.. ..two-dimensional surface plane.

They [the critics] forget that while the artist never works outside his time yet his art will go on to be merged gradually into the new art of a new age. There will be no short stop. We shall not, contrary to the expectation of these people, hear of the sudden death of Cubism, abstraction, so-called modern art.. ..if they could but realize that energy is a spiritual movement and that they must conceive of working under a law of universal aesthetic progress, as we do in science, in mathematics, in physics.