Australian journalist, author and poet (1864 - 1941)
Andrew Barton "Banjo" Paterson (February 17, 1864 – April 5, 1941) was an Australian bush poet, journalist and author, widely considered one of the greatest writers of Australia's colonial period.
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There was movement at the station, for the word had passed around That the colt from old Regret had got away,
And had joined the wild bush horses — he was worth a thousand pound, So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are, And the stockhorse snuffs the battle with delight.
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He hails from Snowy River, up by Kosciusko's side, Where the hills are twice as steep, and twice as rough;
Where the horse's hoofs strike firelight from the flintstones every stride, The man that holds his own is good enough.
And the Snowy River riders on the mountains make their home, Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam, But nowhere yet such horsemen have I seen.
It was the man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down.
He loitered here, he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
"Ere! shave my beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark."
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The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash, he smoked a huge cigar;
He was a humorist of note and keen at repartee,
He laid the odds and kept a "tote", whatever that may be,
And when he saw our friend arrive, he whispered, "Here's a lark!
Just watch me catch him all alive, this man from Ironbark."
The hard, resentful look on the faces of all bushmen comes from a long course of dealing with merino sheep. The merino dominates the bush, and gives to Australian literature its melancholy tinge, its despairing pathos. The poems about dying boundary-riders, and lonely graves under mournful she-oaks, are the direct outcome of the poet’s too close association with that soul-destroying animal. A man who could write anything cheerful after a day in the drafting-yards would be a freak of nature.