"When the paintings suddenly started going for, like, really big money it definitely weirded me out, and I kind of went away to the middle of nowhere and I stopped making any more paintings. But the whole time the auction houses were just selling paintings that I’d done years before and sold for not much money. Or paintings that I traded for a haircut or, you know, an ounce of weed and they were going for like 50 grand." (lightly edited)
English graffiti artist, political activist, and painter
Banksy is a prolific graffiti artist from Bristol, UK, whose artwork has appeared across the globe. The titled sections are from Banksy's books, and those sections cite those books accordingly.
From: Wikiquote (CC BY-SA 4.0)
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"You could stick all my shit in Tate Modern and have an opening with Tony Blair and Kate Moss on roller blades handing out vol-au-vents and it wouldn't be as exciting as it is when you go out and paint something big where you shouldn't do." — The Guardian, 2003 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
"The craft is finding a decent drainpipe to get access to the site as much as it is in the art... Van Gogh used short, stumpy brush strokes to convey his insanity - I use short, thin ledges above mainline train tracks." — Evening Post, 2004 (taken from "Home Sweet Home - Banksy's Bristol" by Steve Wright)
"I pretty much use sketchbooks to note down great ideas of somebody else I've just had. A good sketchbook means you don't actually need to bother with having a memory yourself. You can get away with a fair bit of substance abuse if you always carry a notepad and a sharp pencil around with you." [from "Street Sketchbook" by Tristan Manco]
"The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little." [taken from Adbusters magazine]
"A lot of people think that scuttling around stenciling images onto buildings in the middle of the night is the action of a sad, frustrated individual who can't get attention or recognition any other way. They might be right, but I've done gallery shows and, if you've been hitting on people with all sorts of images in all sorts of places, they're a real step backwards, painting the streets means becoming an actual part of the city. It's not a spectator sport." — Tristan Manco, Stencil Graffiti
Well I'm frustrated by many things but trying to get accepted by the art world isn't one of them. This seems difficult for some people to understand - you do not paint graffiti in the vain hope that one day some big fat tory will discover you and put your pictures on his wall. If you draw on walls in public then you are already operating on a higher level.
At least graffiti has a fighting chance of meaning a little more to people. Graffiti has been used to start revolutions, stop wars and generally is the voice of people who aren't listened to. Graffiti is one of the few tools you have if you have almost nothing. and even if you don't come up with a picture to cure world poverty you can make someone smile while they're having a piss.