American singer, songwriter and guitarist
Benjamin Gibbard (born 11 August 1976) an American singer, songwriter and guitarist who has formed several indie bands. He is most notable as the lead singer of Death Cab for Cutie and The Postal Service, although also known for his project ¡All-Time Quarterback!.
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Birth Name:
Benjamin Gibbard
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It’s hard enough having a relationship with one person, but to have a relationship with three other bandmates that you are so intimately tied to and you spend so much time with — and to have that actually work and function — is just astounding. I have been in a band for more than 10 years now. I never thought I’d be doing anything for 10 years straight, let alone a band, and I feel so fortunate for that. I have been allowed for some reason to do that. But it’s even more amazing that we get along better now than we did 10 years ago.
It’s amazing to have people singing a song back to you on a stage. It’s great to finish recording a song and play it for your friend, and they love it. That feels good. But nothing feels better than when you’ve finished something and you know it’s good, and you know that those other responses will come in time.
If you tell certain people that you like Kerouac, they assume that’s all you read, like you don’t know anything else about literature. I recognize all the things that people dislike about the way he writes — his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.
I don't think there's necessarily a story, but there's definitely a theme here. One of my favorite kind of dark jokes is, "How do you make God laugh? You make a plan." Nobody ever makes a plan that they're gonna go out and get hit by a car. A plan almost always has a happy ending. Essentially, every plan is a tiny prayer to Father Time. I really like the idea of a plan not being seen as having definite outcomes, but more like little wishes.
I pulled On The Road off the shelf and found myself reading it between classes, and at that time in my life it was exactly what I craved, exactly what I needed to hear. I thought, “That’s the way, that’s the ideal life, that’s great. You get in a car and you drive and you see your friends and you end up in a city for a night and you go out drinking and you catch up and you share these really intense experiences. And then you’re on the road and you’re doing it again.” The romance of the road, particularly from Kerouac’s work, encapsulated how I wanted to live. I found a way to do it by being a musician, which is what I always wanted to be. The traveling and the being on tour and being away from home set a precedent for me where I thought, “Oh yeah, this is how it works.” But then in reading Big Sur, it’s the end of the road. You end up with a series of failed relationships and you end up being an alcoholic and in your late 30s, and not having any kind of real grip on the lives of the people around you. That’s the potential other end of the spectrum when you’re never tied to anybody or anything. I run the risk of losing touch with the people in my life that mean the most to me because I have made the decision to live like this.